Aerial view of clubhouse
Architecture

Leaving California Is Easy. Returning Is Not.

Corona del Mar, California

Leaving California Is Easy. Returning Is Not.

California has a paradox: it’s one of the easiest places in the country to leave, and one of the hardest to re-enter at the same standard of living. That asymmetry is what many people underestimate.


Top 5 Reasons It’s Easy to Leave California

1. The math pushes you out
Housing costs, taxes, insurance, and general cost of living are highly visible and easy to compare. When you can sell (or stop renting) in California and immediately “level up” elsewhere—bigger home, lower bills—the decision feels rational and low-risk.

2. Remote work untethers you
The pandemic normalized leaving without changing jobs. People didn’t feel like they were “giving something up” professionally, so the barrier to exit dropped dramatically.

3. The narrative is loud and persuasive
Media, social platforms, and peer networks amplify exit stories. People hear about lower taxes, less regulation, and “better quality of life” elsewhere far more than they hear about tradeoffs.

4. Logistics are straightforward
There’s no legal barrier to leaving. You can move, establish residency, and change your cost structure within weeks. Compared to many life decisions, exit is operationally simple.

5. You can always come back… in theory
A common assumption: California is always there if things don’t work out. That assumption is technically true—but practically misleading.


Rancho Mirage, California

Top 5 Reasons It’s Hard to Return

1. Re-entry cost is dramatically higher
The same housing you left often costs significantly more when you try to return. Rent resets to market. Buying back in may require a much larger down payment or income jump.

2. You lose your foothold
Rent-controlled units, long-term leases, neighborhood relationships, school placements—these are hard to replicate. Once you give them up, they’re gone.

3. Income rarely scales at the same pace as housing
Even if you’ve advanced in your career elsewhere, California compensation may not offset the jump in housing and cost of living. The spread has widened in many markets.

4. Networks decay faster than you expect
Professional and social networks in California are dense and opportunity-rich—but they require proximity. After a few years away, those connections weaken, and re-entry isn’t plug-and-play.

5. Psychological friction sets in
Returning can feel like “paying more for the same life,” even if the non-financial benefits (weather, culture, access, industry hubs) were what you missed. That mental hurdle is real and often underestimated.


Morro Bay, California

How to Return to California Successfully

If you’re considering coming back, treat it less like a move and more like a re-entry strategy.

1. Anchor the move to income, not nostalgia
Line up a role, client base, or revenue stream that is calibrated to California costs before you return. Hoping it works out after arrival is where many people get stuck.

2. Rebuild your network before you arrive
Start months in advance. Reconnect with former colleagues, join industry groups, and spend time in-market if possible. Opportunities in California are still heavily network-driven.

3. Be realistic about housing—and flexible on location
You may not return to the same neighborhood or housing type you left. Success often comes from targeting adjacent markets or emerging areas rather than trying to “recreate” your previous setup.

4. Time your re-entry
Market conditions matter. Inventory cycles, interest rates, and rental seasonality can significantly affect your landing. A 6–12 month timing difference can change your options.

5. Maintain optionality on the way out
If you haven’t left yet but are considering it, this is the most overlooked strategy: don’t burn your bridge. Keep relationships warm, consider renting instead of selling if feasible, and preserve professional ties. The easier you make your return before you leave, the more viable it will be later.


The Throughline

Leaving California is often a clean break financially and logistically. Returning is not symmetrical—it requires planning, leverage, and a willingness to accept tradeoffs.

The people who come back successfully aren’t just following emotion; they’re treating California as a high-demand, high-barrier market that requires a deliberate re-entry plan.

Solvang, California
Automotive

Porsche Palm Springs

Porsche Palm Springs from our recent “Automotive Photography” workshop visit with my class of advanced photography students from College of the Desert.

Porsche Palm Springs’ Kids Design Studio Playroom
Midnight temptation

Photography

The decisive moment. It’s in the imperfections.

There are so many things wrong with this photo, but so much for me to thankful for.

While videotaping an event at a ranch just a stone’s throw from Joshua Tree National Park this weekend, a rare musical treat happened when 86-year old Harriet Allen, a local music legend, stepped on stage to join the band for her rendition of The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin.”

For those who don’t know Harriet, in 1982, Harriet and her husband, Claude “Pappy” Allen, opened, “Pappy + Harriet’s Pioneertown Palace.”

Because I was running with video at the event and didn’t have my “real” camera at hand, I grabbed my phone and hoped for a decisive moment when Harriet wasn’t kissing the microphone, and to include the drummer (who was teasing me for using my phone to photograph).

FYI, Pappy’s became the “dive bar” place to play an impromptu set when musicians came to Joshua Tree, with legends like Paul McCartney, Lizzo, Belle & Sebastian, Orville Peck, Patti Smith, Taking Back Sunday, The Psychedelic Furs, Lorde, Lucinda Williams, Arctic Monkeys, Robert Plant, Peaches, The Dead Kennedy’s, Gregory Alan Isakov, Jesse Daniel, Everclear, Ani Di Franco, The Zombies, Coheed and Cambria, and countless others who jumped onto the stage.

Those “tricks” professional photographer David Bergman tried to teach his students, including me – it’s not the camera (it’s the eye), wait ’till the singer pulls her mic away from her face, include the drummer in the composition, add a little drama to the composition – is what makes this photo, with all the imperfections, a favorite from the day.

P.S. the photo is straight from the phone, with the black & white conversion completed using DXO’s SilverEFX.

Architecture

“Communications Building” at College of the Desert. Palm Desert, California.

It was 105 degrees in the evening during my workshop on Architecture when students gathered to photograph this campus landmark.

The College of the Desert commissioned tBP/Architecture of Newport Beach to design this LEED Silver Communications Building.

Use of indigenous materials of the area on the exterior such as natural stone, smooth plaster and metal panels were chosen to reinforce and continue the local Palm Springs Moderne architectural heritage espoused by original campus architect’s Albert Frye and Williams and Williams.

Photographed with the Canon R5, Tokina Opera EF lens @ 19mm, ISO 320, f/11. 3.2 sec.

Art, Bombay Beach

Salton Sea, California. The Water Ain’t That Bad, It’s Just Salty.

“The Water Ain’t That Bad, It’s Just Salty,” was created by artists Chris “Ssippi” Wessman and Damon James Duke, with the Bombay Bunny Club.

Because the Salton Sea’s shrinking shoreline, the swing now sits on dry land.

Filmed in 2022.

Photography

Bombay Beach Biennale 2024

I met a woman yesterday named “Barb” at The Thermal Club, who invited me to take a ride in her flying car after IndyCar qualifying and go down to a disco party on Bombay Beach along the shores of the Salton Sea. She was a lot of fun and the dancing was epic, but she kept calling me “Ken”.

Unfortunately, because of the schedule conflict with IndyCar, I was only able to visit Bombay Beach for a few hours during the Biennale. Here are just a few favorite snaps made during my short visit. I’ll be back soon to catch up on this art-filled town.